The Hollywood star Khushi Kapoor resembles in her latest lookĬredit: /khushi05k Fox 2000 Pictures, Wendy Finerman Productions, Dune Entertainment
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How to recreate Khushi Kapoors Anne Hathaway-style makeup look.The Hollywood star Khushi Kapoor resembles in her latest look.LENNY KRAVITZ - "Fly Away" To get it out of the way: a dodo, a rhea, an emu, a penguin.B*WITCHED - "Blame It On The Weatherman" Arriving a few weeks after Britney, “Blame It On The Weatherman” could be a sad afterthought, forgotten jetsam from a swept-away moment like Frank Ifield’s “I’m Confessin’”, his last number….The general boyband narrative is one where a managerial Svengali recruits… 911 - "A Little Bit More" The formation of minor boyband 911 is a telling vignette of how pop in the late 90s was working.
But it’s also about a john – on paper, the payoff of the lyric is…
CHRISTINA AGUILERA, LIL KIM, MYA AND PINK - "Lady Marmalade" Patti Labelle was scandalised, so she said, to learn “Lady Marmalade” is about a hooker. DJ OTZI - "Hey Baby (Uhh, Ahh)" So the cruddiest number one of 2001 lands at the top in a week when a lot of people were not caring about music. Singing about going to be with God – about… They’ve got the direct line.” – Father Ted. GEORGE HARRISON - "My Sweet Lord" (2002 re-issue) “They get to that age and they don’t need the operator any more. You soon learn the sad truth: the distribution of talent and memorable style is as skewed among writers… RONAN KEATING - "Life Is A Rollercoaster" Fishing for critical angles in songwriting credits is a mostly futile endeavour. TFTACOXS: Dec 14: Boots Festive Triple Earlier in the year I either had a single hallucinogenic episode brought on by the cramped refrigerated conditions of the Boots 'chiller', OR - and this seems far less likely…. « BOBBIE GENTRY – “I’ll Never Fall In Love Again” ROLF HARRIS – “Two Little Boys” » Comments « 1 2 3 All There are other, more crazed and crude bubblegum records I thrill to more, and there’s a lot of pop I like better, but like a well-made wooden toy “Sugar, Sugar” is something anybody could deeply admire. “Sugar Sugar”‘s craft is what makes me like it – I’m sure it was momentous to have a cartoon band at #1 but any controversy over the fact seems very distant given the procession of gimmicks, flukes, manufactures and novelties that have enthralled and apalled us since. (The verses flirt with inanity to an even greater degree, lyrically at least). It’s a bold way to structure the song and shows Jeff Barry and Andy Kim’s absolute confidence in the irresistibility of their main chorus – which is in some ways too irresistible, as I guess it’s all most adults remember and would indeed be dumb if it went nowhere else. “Sugar Sugar” is magnificently well put together: the loading of all this stuff at the end of the track encouraging you to wind the record players arm right back to check it all again. At no point is “Sugar, Sugar” a rave up – it’s always pretty sedate – but here it comes closest. The chanted “Honey! Honey! Sugar! Sugar!” that unites all these hooks before the fade – the whole party coming together. The “ba-ba-ba-da-da” third backing hook – this one is a real genius bit of popcraft, because you’ve had tiny snippets of it already leading into the chorus after the verses, so you’re primed for it and its injection of swing into the song. I am guessing the first is ‘Betty’ and the second ‘Veronica’ but I have never knowingly read an Archie comic so I don’t actually know! The first time we get it tentative and shy, the second time more confident and delighted. The female backing hook (“I’m gonna make your life so sweet!”) – this is lovely and I wish we heard more of it. The counter-hook from the male backing vox – “Pour your sugar on me!” – more spontaneous and joyful, more passionate, the backing guys throwing a wink or two at the girls behind the sweet lead singer’s back. The main hook (“You are my candy girl”) and riff – we’ve been hearing this all through the song, but the sting of repetition gets drawn here by a well-judged key change. How much sugar are we dealing with, exactly? Here’s an itemisation of the hooks in the last minute of “Sugar, Sugar”:
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